‘70s’
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Artist Archives of the Future
… a prominent artist and theorist of the Polish neo-avantgarde, represents the art network of the 1970s and 1980s. Similar to—and in part overlapping with—Artpool, it has a significant collection of mail art, including works by several Hungarian artists (e.g. Sándor Pinczehelyi, László Beke, Gábor Attalai, György Galántai, Gábor Tóth and Dóra Maurer). The outcome of this collaboration was on view for the general public in November 2024, at the Platán Gallery in Budapest. Exhibiton …
The Endre Tót Archives
… point of—the artist’s later career on the other side of the Iron Curtain. In the 1960s and 1970s and in a manner typical of the period, Endre Tót’s artistic undertakings—like those of many of his peers’—completely merged the mental and physical spaces of his private daily life and his work in the studio. In connection to this, written correspondence served as the specific, personally controlled form of communication, with the post office serving as the official/institutional protocol …
The Estate of Lajos Vajda
… exhibition reviews, and literature on Vajda’s art, which has been growing steadily since the 1970s. /Judit Radák/
ArtMargins’ Resonances Special Issue
… “Regional Resonances: Transnational Aspirations in Central and Eastern European Art of the 1970s", the papers of Hana Buddeus, Zsuzsa László and Alina Șerban present an interconnected history of previously unexplored cross-border collaborations and friendships. The second part of the special issue, with essays by Emese Kürti, Cristian Nae and Małgorzata Miśniakewicz, is published in ArtMargins Print by MIT Press. Emese Kürti, Minorities as Hubs of Cultural Transfer: …
Networking the Peripheries / World Art Post: International Artist Stamp Exhibition
… Studio (1970–1973), has been continuously expanding his international mailing list since the 1970s, through which he initially sent his own publications. In 1973, the exhibition Text(s) (organized by Dóra Maurer and Gábor Tóth) featured works by Uruguayan artist Clemente Padín (1939), as well as works by Western and Eastern European artists. Galántai institutionalized his growing archive of art documents he received from all over the world largely through the mail art network when he …
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