… . In the issue entitled “Regional Resonances: Transnational Aspirations in Central and Eastern European Art of the 1970s", the papers of Hana Buddeus, Zsuzsa László and Alina Șerban present an interconnected history of previously unexplored cross-border collaborations and friendships. The second part of the special issue, with essays by Emese Kürti, Cristian Nae and Małgorzata Miśniakewicz, is published in ArtMargins Print by MIT Press. Emese Kürti, Minorities as …
… [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of the decade, the volume delves into the art discourses of the era. The volume examines key artistic debates on postmodernism, new painting, …
… – Marina Dmitrieva (eds.), Universal – International – Global. Art Historiographies of Socialist Eastern Europe by Andrea Bátorová.
… Tóth) featured works by Uruguayan artist Clemente Padín (1939), as well as works by Western and Eastern European artists. Galántai institutionalized his growing archive of art documents he received from all over the world largely through the mail art network when he founded Artpool in 1979 together with Júlia Klaniczay. From this point on, in the spirit of the "active archive" concept, the Artpool collection, as well as its network, was systematically and strategically enriched through …
The Central European Research Institute for Art History (KEMKI) was established in 2021 as an affiliate of the Museum of Fine Arts, Budapest. Our mission is to strengthen Hungary's academic discourse and represent Hungarian art and art history at a high standard globally by initiating and implementing locally focused, regional and international research projects and collaborations connected to art-historical …