‘archive’
Artist Archives of the Future
Cooperation with the Andrzej Partum Archives Within the framework of the collaboration “Artist Archives of the Future”, the Andrzej Partum Archive (managed by Muzeum Sztuki) and Artpool staff are conducting comparative research in one another’s respective archives. The Andrzej Partum Archive (1938—2002), named after a prominent artist and theorist of the Polish neo-avantgarde, represents the art network of the 1970s and …
The Digital "Attic Archive"
A Case Study for Open Source Approaches to Artist Archives Curating the Digital Attic Archive, a two-year Research Network Award project funded by the Royal Society of Edinburgh, explores the work and legacy of the Attic Archive within a framework of international collaboration. Part of the Attic Archive, referred to as DATA (Daily Action Time Archive), was launched in 1980 and is now part of the Artpool Collection. Founded in …
Péter Korniss Archive
… one of the most influential figures in Hungarian photography, donated 63,000 items from his archives to the Central European Research Institute for Art History. The oeuvre of Korniss, who was the first photographer ever to be awarded the Kossuth Prize, focuses mainly on documenting the disappearing traditional peasant life and culture of Eastern Europe (mainly Transylvania). As part of the archive, the KEMKI has also received the complete collection of film negatives from The Guest …
"Active - Archive - Research" Workshop
On 26 October 2023, archive research workshops will be launched at the Artpool Art Research Center. The group of seven people (university students and young researchers from different professional backgrounds) will start their work under the leadership of Andrea Pócsik, cultural researcher. The idea of the "laboratory" is based on the unique feature of Artpool that participants can develop their own research …
Artpool40 – Active Archives and Art Networks
… by bringing together scholars and practitioners interested in transnational research on artist archives, progressive curatorial and museological practices, and the historiography of Cold War art scenes and networks. The conference takes Artpool’s 1979 concept of an “ Active Archive ” as a starting point to explore its contemporary interpretations and applications, and its similarities with and differences from other artist archives. As Artpool’s founder György Galántai puts it, an …