‘art archives’
Júlia Klaniczay
Founder, Advisor Cofounder of the illegal Artpool (with artist György Galántai in 1979), and from 1992 till 2020 director of Artpool Art Research Center, operating till 2015 as an NGO and since 2015 as a department of the Museum of Fine Arts in Budapest. From 1977 to 1992 editor responsible of Akadémiai Kiadó, the publishing house of the Hungarian Academy of Sciences and from the beginnings till 2020 leader of Artpool's archives and …
Emese Kürti
Deputy Director for Research, Head of Department, Art Historian From 2018 to 2021, she was a researcher at the Artpool Art Research Center, then Head of Department from 2021 to 2022. She is currently Head of the Department of Research and Deputy Director of Research at the Central European Research Institute for Art History (KEMKI). Previously, she was a lecturer at the Hungarian University of Fine Arts and Central European University …
Enigma 103: (An)archives
Collaboration with the Hungarian art periodical The Enigma 103, (An)archives is releasing eight engaging papers from the Artpool40 Conference in Hungarian translation. The essays discuss motivations behind building and running artist archives, the alternative histories they generate, and the challenges of their sustainability, institutionalization, transformations, and critical interpretations. Editor: Csilla Markója Guest …
ArtMargins’ Resonances Special Issue
ARTM Online A thematic selection of papers from the conferences that were held in 2002-2003 based on KEMKI’s regional collaborative research project entitled Resonances has been published in the online edition of ArtMargins. In the issue entitled “Regional Resonances: Transnational Aspirations in Central and Eastern European Art of the 1970s", the papers of Hana Buddeus, Zsuzsa …
Péter Korniss Archive
… one of the most influential figures in Hungarian photography, donated 63,000 items from his archives to the Central European Research Institute for Art History. The oeuvre of Korniss, who was the first photographer ever to be awarded the Kossuth Prize, focuses mainly on documenting the disappearing traditional peasant life and culture of Eastern Europe (mainly Transylvania). As part of the archive, the KEMKI has also received the complete collection of film negatives from The Guest …