‘call’

45 result(s) for ‘call’

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Ildikó Eleöd

… 2021 and 2022, she worked as a museologist at the Postal Museum, where, in parallel to managing a call for proposals, she offered new vantage points to the permanent exhibition through contemporary works of art (Restoring Archived Messages, 2022- 2023).

Eszter Szőnyeg-Szegvári

… Hungarian art and institutional history of the second half of the 20th century, and more specifically, the public and poster art of the period, as well as industrial design and object culture. She is a lecturer at the University of Fine Arts, a professional consultant at Köztérkép, and vice-president of the Hungarian Poster Association. She publishes regularly in professional journals and online forums on the topics of the 20 th -century history of design, poster art and public art.

ALBERT Ádám: My Appropriations (Dezső Tandori), 2022

… National Bank. The manuscript pages used for the enamel triptych (1980) contain Tandori’s typed calligrams – the VORIZONTAL-HERTICAL (KEMKI ADK Inv. No. MNB.ADT.2017.2.198.1) and two versions of the Heraclitus Memorial Column (KEMKI ADK Inv. No. MNB.ADT.2017.2.262.2, 3)[1]. “The Heraclitus motif shows up several times. In my first Heraclitus piece (from 1968) the text representing the only vertical column reads ‘let’s try to tell on first reading how many lines there are’. What makes …

ALBERT Ádám: System Analysis (KEMKI) I–IV, 2022–2023

… involving the letters of “KEMKI”. On the largest panel, the KEMKI logotype—created by vertically rotating the letters of the acronym—functions as a word picture, or rather as an image, i.e., a symmetrical, geometric visual element. In the other, smaller-scale works, further actions—cropping, mirroring, distortion and layering—result in the dissolution of the original, letter-by-letter meaning, as the boundaries between letter/text/image become increasingly permeable. “The aim is no …

ALBERT Ádám: System Analysis V, 2022–2023

… it comes to constructing an institutional structure—and especially an archive/collection. The vertically proceeding, Neurathian-type flow diagrams of morphing white shapes projected onto a black enamel surface reminiscent of a switched off monitor screen model this process along three possible paths, all leading to the same destination. The forms derived from textual, framed pictorial (painting, print, etc.), motion picture- and photography-based (perforated edge) media become “unified”: …

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