‘conference’
Art During the Cold War
… 3, 2023 Representations of the Holocaust in the Cold War Eastern Bloc: the Early Decades – conference, Berlin, Freie Universität, June 5–6, 2023 Art of the Holocaust until 1989: Beyond an East/West Divide – conference, Budapest, CEU/KEMKI, June 8–10, 2022
Enigma 99: Impossible Realism. Regime Change and Art Institutions in Hungary, 1989
… of Artistic Utopias with Reality Before and After the Regime Change, which was a session of the conference entitled 1989 and the Regime Change : Possibilities of Social Action, held in Szeged in 2019. The session speakers examined the utopian ideas and models that appeared in the field and institutions of visual art before and after the regime change, and the effects the political changes had on realising those ideas. What kind of utopian visions had been articulated in the field of …
ArtMargins’ Resonances Special Issue
ARTM Online A thematic selection of papers from the conferences that were held in 2002-2003 based on KEMKI’s regional collaborative research project entitled Resonances has been published in the online edition of ArtMargins. In the issue entitled “Regional Resonances: Transnational Aspirations in Central and Eastern European Art of the 1970s", the papers of Hana Buddeus, Zsuzsa László and Alina Șerban present an interconnected history …
Stratification of an Archive: Possible Approaches to the Oeuvre of Péter Korniss
… conducted by KEMKI ADK. It contains extended and edited texts from the presentations given at the conference entitled Stratification of an Archive: Possible Approaches to the Oeuvre of Péter Korniss. The diversely themed essays in the volume provide new interpretations of attitudes that prevailed in Hungarian documentary photography and photojournalism in the post-WWII period. Illustrated with images from the Péter Korniss Archive (held in the collection of the KEMKI ADK) as …
Sešit/Notebook for Art, Theory and Related Zones Issue Dedicated to the Resonances Project
… Dagmar Svatošová, and Cristian Nae, which are based on the papers presented at the Resonances conferences as well as the editorial by Pavlína Morganová, Marianna Placáková, and Martin Škabraha, which gives an overview of the whole project, and the review of Antje Kempe – Beáta Hock – Marina Dmitrieva (eds.), Universal – International – Global. Art Historiographies of Socialist Eastern Europe by Andrea Bátorová.