‘cult’
György Cséka
… program of Uzhhorod National University in 1994, and from the Aesthetics Program in the Faculty of Humanities at Eötvös Lóránd University (ELTE) in 1999, where he also pursued his doctoral studies from 2000 to 2003. In 2012, he earned a BA degree in Library and Information Science at ELTE’s Faculty of Humanities. From 2000 to 2019, he worked at the University Library of Eötvös Lóránd University as an information and research librarian, and then as head of department. Between 2009 …
Zsuzsa László
… Central and Eastern European art history and exhibition history, neo-avant-garde, conceptualism, cultural diplomacy, progressive pedagogy and art theory. She works at KEMKI since 2021, between 2019 and 2022 she was museologist at Artpool, between 2009 and 2019 she was curator at tranzit/hu, between 2006 and 2008 she worked at the Studio of Young Artists, and she was a guest lecturer at the Intermedia Department of the Hungarian University of Fine Arts (2008-2012) and at the Institute …
Petra Csizek
Project Manager Studied art history in the Faculty of Humanities at Eötvös Loránd University (ELTE), and is currently studying at the University of Pécs. She has worked as a cultural manager, curator and programme organiser, participating in the creation and organisation of numerous exhibitions, professional programmes, public events, international projects and art prizes, as well as art studio and visitor programmes. She has previously …
ArtMargins’ Resonances Special Issue
… is published in ArtMargins Print by MIT Press. Emese Kürti, Minorities as Hubs of Cultural Transfer: The Bosch+Bosch Group Małgorzata Miśniakiewicz, Socialization of the Private? The Emergence of Polish Mail Art and the Ideas of Democratic Opposition Cristian Nae, Constellational Modernisms: “Socialist Humanism” and “Contextual Art” in Ion Bitzan and Wanda Mihuleac’s Graphic Art of the 1970s Link to the special issue: …
Péter Korniss Archive
… the Kossuth Prize, focuses mainly on documenting the disappearing traditional peasant life and culture of Eastern Europe (mainly Transylvania). As part of the archive, the KEMKI has also received the complete collection of film negatives from The Guest Worker, one of the most influential series of Hungarian documentary photography. The series, which depicts the life of commuting workers, took over 10 years to complete. Published in 1988 in a book format, Korniss’s “photographic novel” is …