‘cult’
Dávid Fehér
… Doublespeak and Beyond (Thames & Hudson, London, 2018), Promote, Tolerate, Ban: Art and Culture in Cold War Hungary (Getty Publications, Los Angeles, 2018), Abstract Hungary (Sternberg Press, Berlin, 2019) and Dóra Maurer (Tate Publishing, London, 2019). His major curatorial projects include Imre Bak’s exhibition Timely Timelessnes: Layers of an Oeuvre / 1967–2015 (Paks Gallery, 2016), Bacon, Freud and the Painting of the School of London, a joint exhibition with Tate in …
Flóra Barkóczi
… Research Institute for Art History. Since 2020 she has been a PhD fellow at the Film, Media and Cultural Theory Doctoral Program at Eötvös Loránd University, Budapest. Her research focuses on the role of the technological mediums in the post-1960s avant garde art in Hungary, primarily including conceptual photography of the 1960-70s, media art of the 1980-90s, Internet-based art and Internet culture of the 1990s and contemporary photo-based art practices. She is currently on maternity …
Dóra Halasi
Archivist, Art Historian She received her MA in Hungarian and Art History from the Faculty of Humanities at Péter Pázmány Catholic University, Piliscsaba. Her thesis examined the connection between dance and visual art in the 70s, which has been marginalized in the history of art. Since 2005 she has been an archivist and art historian at the Artpool Art Research Center, specialising in audio and video archives, the poster collection, and the associated research service. Since …
Zsuzsa László
… Central and Eastern European art history and exhibition history, neo-avant-garde, conceptualism, cultural diplomacy, progressive pedagogy and art theory. She works at KEMKI since 2021, between 2019 and 2022 she was museologist at Artpool, between 2009 and 2019 she was curator at tranzit/hu, between 2006 and 2008 she worked at the Studio of Young Artists, and she was a guest lecturer at the Intermedia Department of the Hungarian University of Fine Arts (2008-2012) and at the Institute …
Gabriella Schuller
… She has been a member of Artpool since 2016. Her main fields of interest are the countercultural phenomena of the Kádár era, theatre- and performance history, and theoretical problems thereof. Between 2000 and 2016, she was a lecturer at the University of Pécs, the University of Pannonia (formerly University of Veszprém) and the Károli Gáspár University of the Reformed Church in Hungary. She is a member of the HAS Committee for Theatre and Film Studies. Her doctoral dissertation …