… the minutes of meetings that were held from the 1960s to the 1980s for the purpose of evaluating exhibition proposals awaiting official authorisation. From 1963 onwards, the Lectorate had a primarily censorial role in the system of authorising exhibitions and the works showcased at those exhibitions. When it came to the most prominent exhibition spaces (Műcsarnok/Kunsthalle Budapest, Ernst Museum, Csók Gallery, Mednyánszky Hall, and Adolf Fényes Hall, etc.), and rural exhibition spaces of …
… such intense, exciting and open debates as the 1980s. The anthology Kiállítások és kritikák [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of the decade, the volume delves into the art …
… mailing list since the 1970s, through which he initially sent his own publications. In 1973, the exhibition Text(s) (organized by Dóra Maurer and Gábor Tóth) featured works by Uruguayan artist Clemente Padín (1939), as well as works by Western and Eastern European artists. Galántai institutionalized his growing archive of art documents he received from all over the world largely through the mail art network when he founded Artpool in 1979 together with Júlia Klaniczay. From this point …
Language Games, selection from the Artpool collection - exhibition
Language Games, selection from the Artpool collection - exhibition