… include transnational and decentralized approaches to Central and Eastern European art history and exhibition history, neo-avant-garde, conceptualism, cultural diplomacy, progressive pedagogy and art theory. She works at KEMKI since 2021, between 2019 and 2022 she was museologist at Artpool, between 2009 and 2019 she was curator at tranzit/hu, between 2006 and 2008 she worked at the Studio of Young Artists, and she was a guest lecturer at the Intermedia Department of the Hungarian …
… curator and programme organiser, participating in the creation and organisation of numerous exhibitions, professional programmes, public events, international projects and art prizes, as well as art studio and visitor programmes. She has previously worked at the Budapest Gallery (2020-2022), at the Ludwig Museum (2016-2017, 2019-2020), at the Art Brussels contemporary art fair (2013-2014), at the ACAX | Agency for Contemporary Art Exchange (2012-2013), and at the Trafó Gallery …
… to the institution, including articles, essays and studies published in Hungary and abroad, exhibition invites, as well as video and audio materials. Part of this material will be accessible for research digitally, while some will be made available in a printed format. The archive is currently being processed, a detailed database and around 4,000 scanned photographs will soon be available to researchers. Further expansion of the archives is expected in the near future. …
Cooperation with the Andrzej Partum Archives Within the framework of the collaboration “Artist Archives of the Future”, the Andrzej Partum Archive (managed by Muzeum Sztuki) and Artpool staff are conducting comparative research in one another’s respective archives. The Andrzej Partum Archive (1938 - 2002), named after a prominent artist and theorist of the Polish neo-avantgarde, …
… Storm in the Archive also received special attention. The winning project and the resulting exhibition, which took place in spring 2023, explored a particular cross-section of Artpool’s collection that utilised the art documents held there as a repository of knowledge and ideas that may be marginal from a traditional art-historical perspective, but are nevertheless exciting from an artistic standpoint. Tamás Kaszás’s exhibition entitled Savage Intern was on view at the …