‘exhibition’
Kristóf Nagy
… As part of this, he organized the Flowers of Decay conference in 2022 and edited the volume Exhibitions and Criticism: Discourses on Visual Art in the 1980s in 2024. His writings have been published in Hungarian, English, German, and Spanish. In 2019, he curated the exhibition Left Turn, Right Turn – Artistic and Political Radicalism in the Kádár Era // The Orfeo and Inconnu Groups at the Blinken OSA Archive. In 2024, he organized the international workshop Infrastructures of …
Sára Bárdi
… with special emphasis on the relationship between art and politics, as well as the genres of exhibitions and posters. Between 2020 and 2024 she worked as a museologist in the Hungarian National Gallery – Collection of Print and Drawings. List of publications Publications
ALBERT Ádám: My Appropriations (Dezső Tandori), 2022
… the task setting even more absolute.”[2] These lines by Tandori appear in a catalogue of his 1981 exhibition held in Hatvan, in which Korniss also participated. Of the calligrams contained in the correspondence from 1980, however, only the third calligram was included in this exhibition, whose “theme” centres on one of the key works of the master’s late period, the painting series entitled Horizontal-Vertical (1975–1977). Tandori reflects with gentle and empathetic irony on the ascetic …
ALBERT Ádám: My Appropriations (József Rippl-Rónai), 2022
… by Ágnes Prékopa, Éva Csenkey and Orsolya Kovács in the catalogue of Rippl-Rónai’s 1998 oeuvre exhibition ( Rippl-Rónai József gyűjteményes kiállítása [Oeuvre Exhibition of József Rippl-Rónai]. Ed. Ildikó Nagy, Hungarian National Gallery, Budapest, 1998, 91-111; 464–483); and János Horváth: Rippl-Rónai József iparművészeti munkássága, az Andrássy-ebédlő [József Rippl-Rónai’s Works of Applied Art: The Andrássy Dining Room]. Rippl-Rónai Museum, Kaposvár, 2013, URL: …
GRÓF Ferenc – GYENES Zsófia: (Dis)organigram – State Gallery Company, 2022
… Hungarian People’s Republic established the Gallery Company (Képcsarnok Vállalat), with its own exhibition space (several in Budapest, and one in nearly every large city in Hungary). Until the 1980s, the Gallery Company monopolised the Hungarian Art world. The Gallery Company held regular solo exhibitions and other art events at its venues, and had weekly jury panels for evaluating and purchasing the submitted works of its members. From the 1970s onwards, the Gallery’s operations were …