… industrial design, applied graphics, textiles, silicate industry and silversmithing. Their first exhibition was held in 1984 at the Ernst Museum; their own exhibition space was opened at 16 Kálmán Imre Street. After the change of regime in 1990, the FIS became a public benefit association and changed its name to Studio of Young Designers Association (Fiatal Iparművészek Stúdiója Egyesület, FISE). For more on the history of FISE, visit their website: https://www.fise.hu/www/?language=en …
… time. The new Association’s tasks included organising the first nationwide “socialist realist” art exhibitions, “decentralising” the art scene, organising exhibitions and art events in the countryside, establishing a system of free art schools, and representing the artists who were registered as members in a quasi-union format. Following the 1956 Revolution, the organisation colloquially known as the “Association” was involved in putting together the legendary 1957 Spring Exhibition, which …
… the task setting even more absolute.”[2] These lines by Tandori appear in a catalogue of his 1981 exhibition held in Hatvan, in which Korniss also participated. Of the calligrams contained in the correspondence from 1980, however, only the third calligram was included in this exhibition, whose “theme” centres on one of the key works of the master’s late period, the painting series entitled Horizontal-Vertical (1975–1977). Tandori reflects with gentle and empathetic irony on the ascetic …
… by Ágnes Prékopa, Éva Csenkey and Orsolya Kovács in the catalogue of Rippl-Rónai’s 1998 oeuvre exhibition ( Rippl-Rónai József gyűjteményes kiállítása [Oeuvre Exhibition of József Rippl-Rónai]. Ed. Ildikó Nagy, Hungarian National Gallery, Budapest, 1998, 91-111; 464–483); and János Horváth: Rippl-Rónai József iparművészeti munkássága, az Andrássy-ebédlő [József Rippl-Rónai’s Works of Applied Art: The Andrássy Dining Room]. Rippl-Rónai Museum, Kaposvár, 2013, URL: …
… The work is directly connected to the face of the sundial presented at the Kiscell Museum’s exhibition entitled Without Index (2016),[1] alluding to the state of uncertainty that characterises the city described in Tibor Déry’ s novel Mr. A.G. in X (1964), which served as a reference point of the exhibition. In this fictional city, all exists in a state of constant oscillation between the nothingness of Zero and the certainty of One, creating a grey area that forever changes its …