Art Historian He studied History of Art at ELTE (MA, 2009; PhD, 2016), and History at CEU (MA, 2010). He has been a researcher in the Research Department of KEMKI since 2021. He was previously the head of scientific affairs at the Ferenczy Museum Center in Szentendre (2017–2021) and worked at the Art Collection of the Hungarian Academy of Sciences (2014–2017). He was a participant in the ‘Hungarian Art of the …
… Nonetheless, the Studio’s exhibitions, and especially its annual shows held at the Ernst Museum, constituted important events on the contemporary scene. After the change in regime, in May 1990, the FKS became the Studio of Young Artists’ Association (Fiatal Képzőművészek Stúdiója Egyesület, FKSE) with its own exhibition space—Studio Gallery—in Képíró Street, and in 2007 Studio Gallery moved to Rottenbiller Street. For more on the history of FKS and FKSE, visit …
… silicate industry and silversmithing. Their first exhibition was held in 1984 at the Ernst Museum; their own exhibition space was opened at 16 Kálmán Imre Street. After the change of regime in 1990, the FIS became a public benefit association and changed its name to Studio of Young Designers Association (Fiatal Iparművészek Stúdiója Egyesület, FISE). For more on the history of FISE, visit their website: https://www.fise.hu/www/?language=en Logo designed by Judit DÁNOS
… two numbers. The work is directly connected to the face of the sundial presented at the Kiscell Museum’s exhibition entitled Without Index (2016),[1] alluding to the state of uncertainty that characterises the city described in Tibor Déry’ s novel Mr. A.G. in X (1964), which served as a reference point of the exhibition. In this fictional city, all exists in a state of constant oscillation between the nothingness of Zero and the certainty of One, creating a grey area that …
… and ZSÓFIA GYENES are site-specific pieces based on research conducted in the collections of the Museum of Fine Arts, the Hungarian National Gallery, and the KEMKI Archive and Documentation Centre (ADK). These works provide the opportunity for institutional self-reflection through the use of records and materials from the past, explore possible points of connection, and seek a contemporary approach. They reflect on the documents—be it in the form of texts or objects—preserved in the …