‘network’
Zsuzsa László
… of the editorial team of ArtMargins Online, the board of tranzit.hu, the NEP4Dissent research network and the Hungarian Section of AICA. Her fields of research include transnational and decentralized approaches to Central and Eastern European art history and exhibition history, neo-avant-garde, conceptualism, cultural diplomacy, progressive pedagogy and art theory. She works at KEMKI since 2021, between 2019 and 2022 she was museologist at Artpool, between 2009 and 2019 she was …
Zsófia Kókai
… art collective. From 2020–2021, she was project manager and curator of the Alterum - artist-run network in the CEE region, financed by the Visegrad Fund. In 2022, she curated Lili Agg and Veronika Romhány’s exhibition entitled Unfold in Unknown Waters, held at the U10 Gallery in Belgrade. Her most recent curated solo exhibition was Ivor Almásy: Growth Spurt, at the Tér-kép Gallery in 2023.
Years of Transition: the 1980s in Hungary and Eastern Europe
… movements with various art forms and investigates Hungary’s regional and international artistic networks. Notably, the research team’s participation in the Getty Foundation-funded project Understanding 1989 in East-Central European Art further strengthened the international dimension of the study. Ongoing since 2022, the research has included a conference titled The Flowers of Decay– The Art of Hungary in the 1980s , interviews with key figures from the decade, and an extensive …
What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond
… 2020, we organized an international conference entitled Artpool40 - Active Archives and Art Networks on the occasion of the 40th anniversary of the foundation of Artpool and its concurrent relocation to the Central European Research Institute of Art History of the Museum of Fine Arts, Budapest. The study volume related to the conference, edited by Emese Kürti and Zsuzsa László, is published by Transcript, one of Europe's leading independent scientific publishers. How do artist …
The Estate of Lajos Tihanyi
… writer friends—a valuable and significant resource—as well as the artist’s notebooks revealing his network of professional contacts. From the point of view of art history research, the photographs of Tihanyi’s works constitute a particularly important group of artefacts. On the backs of many of these photos, Tihanyi wrote not only the basic data of the given painting or graphic piece, but also the name of its owner and the exhibitions where the given work had been showcased, thereby making it …