‘network’
Márton Kristóf
Networker, Artist He is a student at the Intermedia Department of the Hungarian University of Fine Art. Since 2007 he has been a staff member and network architect at Artpool, currently his primary task is the restoration of the archive’s historical website. At the same time, he is actively involved in sound art, music, video art, film and theatre, and has participated in numerous performances …
What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond
… 2020, we organized an international conference entitled Artpool40 - Active Archives and Art Networks on the occasion of the 40th anniversary of the foundation of Artpool and its concurrent relocation to the Central European Research Institute of Art History of the Museum of Fine Arts, Budapest. The study volume related to the conference, edited by Emese Kürti and Zsuzsa László, is published by Transcript, one of Europe's leading independent scientific publishers. How do …
Zsuzsa László
… of the editorial team of ArtMargins Online, the board of tranzit.hu, the NEP4Dissent research network and the Hungarian Section of AICA. Her fields of research include transnational and decentralized approaches to Central and Eastern European art history and exhibition history, neo-avant-garde, conceptualism, cultural diplomacy, progressive pedagogy and art theory. She works at KEMKI since 2021, between 2019 and 2022 she was museologist at Artpool, between 2009 and 2019 she was …
Emese Kürti
… She is a member of the Hungarian Section of AICA and of the NEP4Dissent international research network. Her research interests include Hungarian and Yugoslavian neo-avantgarde art (fluxus, conceptual art, experimental poetry and performance, as well as the issues of minority collectives and women’s positions). She received her doctorate in Film Studies from the ELTE Institute for Art Theory and Media Studies; her dissertation was published by L’Harmattan in 2018 ( Glissando and …
The Correspondence of József Rippl-Rónai
… many examples of the forms and necessity of artistic self-management. He developed an extensive network of contacts abroad – especially in France – and at home. His correspondence faithfully reflects this, with letters addressed to or written by not only the most important representatives of the Hungarian art scene, but also many international figures. To mention just a few examples, Rippl-Rónai had correspondence with Endre Ady, Zsigmond Móricz, fellow painters Károly Ferenczy, …