… of the editorial team of ArtMargins Online, the board of tranzit.hu, the NEP4Dissent research network and the Hungarian Section of AICA. Her fields of research include transnational and decentralized approaches to Central and Eastern European art history and exhibition history, neo-avant-garde, conceptualism, cultural diplomacy, progressive pedagogy and art theory. She works at KEMKI since 2021, between 2019 and 2022 she was museologist at Artpool, between 2009 and 2019 she was …
… She is a member of the Hungarian Section of AICA and of the NEP4Dissent international research network. Her research interests include Hungarian and Yugoslavian neo-avantgarde art (fluxus, conceptual art, experimental poetry and performance, as well as the issues of minority collectives and women’s positions). She received her doctorate in Film Studies from the ELTE Institute for Art Theory and Media Studies; her dissertation was published by L’Harmattan in 2018 ( Glissando and Plucking …
… movements with various art forms and investigates Hungary’s regional and international artistic networks. Notably, the research team’s participation in the Getty Foundation-funded project Understanding 1989 in East-Central European Art further strengthened the international dimension of the study. Ongoing since 2022, the research has included a conference titled The Flowers of Decay– The Art of Hungary in the 1980s , interviews with key figures from the decade, and an extensive …
… many examples of the forms and necessity of artistic self-management. He developed an extensive network of contacts abroad – especially in France – and at home. His correspondence faithfully reflects this, with letters addressed to or written by not only the most important representatives of the Hungarian art scene, but also many international figures. To mention just a few examples, Rippl-Rónai had correspondence with Endre Ady, Zsigmond Móricz, fellow painters Károly Ferenczy, János …
… was awarded a grant to study the workings of the French Regional Collection of Contemporary Art Network (FRAC). Between 2021 and 2022, she worked as a museologist at the Postal Museum, where, in parallel to managing a call for proposals, she offered new vantage points to the permanent exhibition through contemporary works of art (Restoring Archived Messages, 2022- 2023).