‘painting’
György Galántai
… and curated several one-man shows and group exhibitions, or events. He has made graphic works, paintings, moving and sound sculptures, performances, multimedia installations, communication projects, and is the founder of several alternative art institutions (e.g. the Chapel Studio in Balatonboglár between 1970 and 1973, Artpool since 1979, Newkapolcs Gallery 1991-1995, Artpool P60 1997-2018, Area 51 in Kapolcs from 2015). He received a fellowship from the DAAD in 1988/89 and was guest …
Eszter Békefi
… of the Hungarian National Gallery’s scientific work. Her fields of research are mid-19th century painting and the history of Hungarian art collecting, especially before World War 2. In 2009 she was one of the curators of the exhibition József Borsos, Painter and Photographer. List of publications
Years of Transition: the 1980s in Hungary and Eastern Europe
… art institutional system, major artistic debates, critical discourses, and the emergence of new painting trends and postmodern theories. It also explores the blending of experimental and underground movements with various art forms and investigates Hungary’s regional and international artistic networks. Notably, the research team’s participation in the Getty Foundation-funded project Understanding 1989 in East-Central European Art further strengthened the international dimension of the …
ALBERT Ádám: My Appropriations (Dezső Tandori), 2022
… in this exhibition, whose “theme” centres on one of the key works of the master’s late period, the painting series entitled Horizontal-Vertical (1975–1977). Tandori reflects with gentle and empathetic irony on the ascetic reduction of form and colour evident in these works, which were also presented within the framework of his 1983 memorial exhibition at the Hungarian National Gallery [3], and which, according to Lóránd Hegyi, could also be regarded as a manifestation of visual sign creation …
ALBERT Ádám: System Analysis V, 2022–2023
… paths, all leading to the same destination. The forms derived from textual, framed pictorial (painting, print, etc.), motion picture- and photography-based (perforated edge) media become “unified”: following its digitalisation and classification according to the new system, the data/information is stored in the corresponding files and folders.