… a coherent picture of Béla Gruber’s visual world and, in addition, can serve as the basis for research into the artistic legacy of Cezanne in the 1950s and 1960s. /Judit Galácz/
… is accessible in its entirety in the collection of the Museum of Fine Arts – Central European Research Institute for Art History (ADK). The main portion of the Lectorate’s Archives consists of documentation of public works of art (together with the associated photographic material). The rest of the material is comprised of other documents, including a larger collection of official papers—which were transferred to the Lectorate in 1976—related to the organizational operations and …
… Applied Arts—which comprises part of the collection of the Museum of Fine Arts–Central European Research Institute for Art History (ADK)—contains the minutes of meetings that were held from the 1960s to the 1980s for the purpose of evaluating exhibition proposals awaiting official authorisation. From 1963 onwards, the Lectorate had a primarily censorial role in the system of authorising exhibitions and the works showcased at those exhibitions. When it came to the most prominent exhibition …
… Beyond providing insight into the circumstances of the creation of these works of public art, research onthis source material of irreplaceable value also opens up new interpretations of György Aczél’s three T’s (“banned, tolerated, supported”). /Dániel Lőrinczi/
… these objects from Paris. The ADK collection of the Museum of Fine Arts – Central European Research Institute for Art History (formerly the Art Archive of the Hungarian National Gallery) contains, among other things, Tihanyi’s correspondence with his artist and writer friends—a valuable and significant resource—as well as the artist’s notebooks revealing his network of professional contacts. From the point of view of art history research, the photographs of Tihanyi’s works constitute a …