… as an art assistant at Csók István Gallery, where she was responsible for the administration of exhibitions and contributed to the organisation of temporary exhibitions. In 2021, she joined the KEMKI Archive and Documentation Center (ADK) team, where she is in charge of the overall administration and organisation.
Over the past year and a half, a project was carried out with the collaboration of contemporary artists, resulting in the showcasing of artworks in the corridors and various spaces of KEMKI. The tapestries and enamel art created by Ádám Albert, Ferenc Gróf and Zsófia Gyenes are site-specific pieces based on research conducted in the collections of the Museum of Fine Arts, the Hungarian National Gallery, and the KEMKI Archive and Documentation Centre (ADK). These works provide …
… Research Institute for Art History of the Museum of Fine Arts, curator of 20 th century and contemporary art at the Museum of Fine Arts, and assistant professor at the Institute of Art History, Eötvös Loránd University. He defended his PhD dissertation on the art of László Lakner at Eötvös Loránd University in 2018. His field of research is Central and Eastern European art history after 1960, with a special focus on the reception of Pop Art and Photorealism, as well as contemporary trends …
… Ilka Gedő visited the free school of Tibor Gallé. 1940 – She participated in the second exhibition of OMIKE (National Hungarian Jewish Cultural Association). 1939-42 – She worked as an apprentice of a family friend, the painter, Viktor Erdei. 1942 – She participated in the exhibition titled Freedom and the People organized by the Group of Socialist Painters, which was closed by the authorities a few days after its opening. 1942–43 – She visited the free school of …
… the 1960s, the Studio’s annual overview shows had become an important platform for presenting contemporary Hungarian art trends even though the exhibited material had to be approved by the Art Fund of the Hungarian People’s Republic (the organisation that maintained the Studio) and the Lectorate of Fine and Applied Arts (which ensured state-level supervision of its operations). Nonetheless, the Studio’s exhibitions, and especially its annual shows held at the Ernst Museum, constituted …