… Few periods in the Hungarian art field have seen such intense, exciting and open debates as the 1980s. The anthology Kiállítások és kritikák [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of …
… Few periods in the Hungarian art field have seen such intense, exciting and open debates as the 1980s. The anthology Kiállítások és kritikák [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of …
… of the band Trottel and Trottel Records, a key figure of the underground music culture since the 80s. After the screening, Viki Taskovics will play music, an active participant in the contemporary punk scene in Szeged and Budapest (currently in the band Energia80), who likes to delve into this subculture as a researcher as well. Itinerary: Video interviews: 12:00-13.00: with Judit Acsády 13:30-14.30: with Zoltán Legény 15:00-16.00: with Mihály Rácz …
From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a genre. This intense period …
Lecture of Katja Praznik, Slovenian cultural researcher The recently published volume Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (Toronto: University of Toronto Press, 2021) by Katja Praznik, a Slovenian cultural researcher at the University at Buffalo’s Arts Management Program, opens up a new perspective on the study of Eastern European art in the 1980s. Praznik argues that it is through understanding creative art …