‘80s research’
What is to be Done? Methodological Challenges to Art Historical Research in Central and Eastern Europe
International Conference Organized by: ICMA – The Institute for Multidisciplinary Research in the Arts, UNAGE, Iasi, Romania. In collaboration with: Academy of Fine Arts, Prague, KEMKI-Central European Research Institute for Art History, Budapest and the University of Lodz. CONFERENCE PROGRAM Thursday, October 12 9.45 – 10.00 – Introduction 10.00 – 12.00 Panel 1: Revisiting socialist art: state-supported institutions, exhibitions, and cultural …
Mit kínálhat a határvidéki internacionalizmus szemlélete a művészettörténészek számára?
… Senior Core Fellow at the Institute for Advanced Studies, CEU) within the framework of KEMKI’s research project on the art of the 1980s. National frameworks and containers are often too narrow to fully grasp the complexities of social, historical, and artistic development. What, then, should replace methodological nationalism—multiculturalism, internationalism, or something else entirely? These questions are particularly pressing when viewed from the perspective of Eastern Europe, a …
A bomlás virágai – Az 1980-as évek magyarországi művészete
Conference about the art of Hungary in the 1980s, organized by KEMKI Research Department The Central European Research Institute for Art History (KEMKI) is organising a conference on the art of Hungary in the 1980s. The goal of the event is to initiate collective professional discourse on the art of the 1980s and to identify the most important but under-researched areas and topics related to the period’s Hungarian art as well as those that …
Az 1980-as évek alternatív művészetének ellentmondásai
Lecture of Katja Praznik, Slovenian cultural researcher The recently published volume Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (Toronto: University of Toronto Press, 2021) by Katja Praznik, a Slovenian cultural researcher at the University at Buffalo’s Arts Management Program, opens up a new perspective on the study of Eastern European art in the 1980s. Praznik argues that it is through understanding creative art …
Fanzin-anatómia – zenei és politikai témájú magyar alternatív kiadványok az Artpool gyűjteményéből
From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a genre. This intense period …