‘avant-garde’
Angela Lampe: The Cold Order: A Review of Exhibition Germany/1920s/ New Objectivity/August Sander - Sociological Aspects of the Interwar Years
… Objectivité / August Sander (with Florian Ebner 2022); Chagall, Lissitzky, Malévitch - the Russian Avant-Garde at Vitebsk 1918-1922 (Centre Pompidou, Jewish Museum New York, 2018); Paul Klee. L’ironie à l’œuvre (2016); Robert Delaunay. Rhythmes sans fin (2014); Vues d’en haut (Centre PompidouMetz, 2013); Edvard Munch, Modern Eye (with Clément Chéroux, Centre Pompidou, Schirn Kunsthalle Frankfurt, Tate Modern 2011-2012) ; Marc Chagall et l’avant-garde russe (Japan, Grenoble, Toronto, 2011). She …
A jövő archívumai
Digital selection from the Poetry Bureau (Andrzej Partum) and Artpool collections. "Artists are like seismographs foreseeing future tectonic movements. In the same decade, the 1970s, unusual institutions were established both in Budapest and Warsaw: Artpool by György Galántai and Júlia Klaniczay, and Andrzej Partum’s Poetry Bureau. It was clear to everyone that something extraordinary was …
ARTMargins Print, Resonances különszám
We are pleased to announce that a thematic selection of conference papers from KEMKI’s Resonances project is published in the latest issues of ARTMargins Print by MIT Press. The special issue includes articles by Emese Kürti, Cristian Nae, and Małgorzata Miśniakiewicz. Emese Kürti, “Minorities as Hubs of Cultural Transfer: The Bosch+Bosch Group” Małgorzata Miśniakiewicz, …
A barátságon innen és túl: Régiós kulturális transzferek a 70-es évek művészetében
Resonances II. konferencia The program of the second event of the Resonances cooperation is now available on the project's website. The two-day conference convened by Zsuzsa László and Emese Kürti (Central European Research Institute for Art History - Artpool Art Research Center, Budapest) will investigate the concept of cultural transfer and its relevance to the transnational art histories of …
Central and Eastern European Artists in Interwar Metropolises
… Female Body Culture and the Concept of Labour in the History of the 20th Century Hungarian Avant-garde 10.40–11.00 Ágnes Sz. Horváth, Hungarian National Gallery, Budapest: Kati Horna on the Horizon of the European Left-Wing Movements 11.00–11:20 Ana Avelar, University of Brasília: Sensitive Female Universes: Considerations on the Work of the Hungarian–Brazilian artist Yolanda Mohalyi 11.20 – 11.40 Sára Bagdi – Gábor Dobó, Kassák Museum, Budapest: Mapping multiple modernisms: …