‘call’

… art magazine launched in the 1970s, which pays tribute to the Argentine artist. In response to our call for mail art, twenty-eight participants from thirteen countries sent in their works, which we are presenting in a pop-up exhibition alongside the magazine, published in a limited edition of one hundred copies and containing original works of art as well.   The guest of honor will be American mail artist Chuck Welch, who has developed a long and fruitful relationship with Vigo and …

… museological, collection history, art, photography, and technical history aspects of this historically significant photo collection as well as its relevance to contemporary art.   Conference program:   10:00 – 10:30  Welcome speaches Dr. László Baán, general director, Museum of Fine Arts Dr. Gábor Kecskeméti, academic, president of MTA200 EB Dávid Fehér, director, Museum of Fine Arts – Central European Research Institute for Art History (KEMKI)   10:30 – 11:00  …

… journal, member of the Feminist Network; Zoltán Legény (“Dr. Slayer”), creator of the fanzine called Total Addiction,  a prominent figure of the hardcore-punk scene, member of Human Error; Mihály Rácz, one of the pioneers of the Hungarian fanzine culture, creator of a Mély Vágás ( Deep Cut ) and Második Látás ( Second Sight ); Tamás Rupaszov, founder of the band Trottel and Trottel Records, a key figure of the underground music culture since the 80s.   After the …

… in Socialism and Postsocialism We invite proposals for a forthcoming edited volume that critically examines the infrastructures of art markets in Central and Eastern Europe during and after the socialist era. This peer-reviewed volume aims to shed light on the diverse systems that enabled the production, distribution, and exchange of modern and contemporary art, not only through established institutions but also through lesser-known or subversive practices. By exploring both formal and …

… on July 2nd at 5 pm. From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a genre. In our display we present publications from 1986 to 2003 …