‘call’

… journal, member of the Feminist Network; Zoltán Legény (“Dr. Slayer”), creator of the fanzine called Total Addiction,  a prominent figure of the hardcore-punk scene, member of Human Error; Mihály Rácz, one of the pioneers of the Hungarian fanzine culture, creator of a Mély Vágás ( Deep Cut ) and Második Látás ( Second Sight ); Tamás Rupaszov, founder of the band Trottel and Trottel Records, a key figure of the underground music culture since the 80s.   After the …

… in Socialism and Postsocialism We invite proposals for a forthcoming edited volume that critically examines the infrastructures of art markets in Central and Eastern Europe during and after the socialist era. This peer-reviewed volume aims to shed light on the diverse systems that enabled the production, distribution, and exchange of modern and contemporary art, not only through established institutions but also through lesser-known or subversive practices. By exploring both formal and …

… on July 2nd at 5 pm. From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a genre. In our display we present publications from 1986 to 2003 …

… among the most important works of the Eastern European conceptual art. The third TÓTalJOY call, announced in January 2025, received thirty-seven research-based artistic project proposals. From these, the jury shortlisted the work of four artists whose projects sensitively reflect on contemporary artistic and social issues: Lőrinc Borsos Ferenc Gróf and Zsófia Gyenes Klaudia Januško Dorottya Vékony The 2025 jury members are: René Block (curator, …

… the Artpool Collection From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a genre. In our display we present publications from 1986 to 2003 …