‘criticism’

… more personal, creative approach to the themes presented in the collection display, i.e. music, criticism of the system, feminism. During the course of the workshop, participants will not only receive theoretical knowledge but also have the opportunity to create their own fanzine – thus they can learn about the methods and community-orientated mindset of independent publishing. Collective thinking is an essential element of the workshop. Through shared conversations and art, participants …

… exciting and open debates as the 1980s. The anthology  Kiállítások és kritikák  [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for  Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of the decade, the volume delves into the art discourses of the …

… exciting and open debates as the 1980s. The anthology Kiállítások és kritikák [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for  Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of the decade, the volume delves into the art discourses of the …

… Annamária Hódosy will participate in the discussion as an invited guest. Beyond literary ecocriticism, her special interest lies in ecocriticism aimed at the world of film and visual culture. In her research, she primarily explores how ideas related to nature and climate change show up in popular culture (such as the media, entertainment literature and mass cinema), what rhetorical messages are conveyed through these channels, and how these influence people’s thinking.   Through …

… Anti-Modernist Concepts to Marxist Theory: Conceptualising the Art of the Emigré in Interwar Art Criticism 10.40–12.00 Salvatore Annadea, Fondazione Ambron, Florence: “I Like the English so Much, as if They Were My Relatives”: Kokoschka’s Exile in London in 1938 12.00–12.20 Juliette Milbach, EHESS, Paris: Louis Lozowick’s Stay in Berlin (1920) 12.20–12.40 Discussion   12.40–14.00 Lunch at the Museum of Fine Arts 14.00 -14.20 Coffee break at KEMKI   Session 2: From …