‘cult’
A jövő archívumai
… - Artpool Art Research Center, and the Polish Institute in Budapest, in the frame of the Inspiring Culture (Kultura Inspirująca) program, co-financed by the Ministry of Culture and National Heritage (Poland).
Időjárás-jelenés / Süveges Rita tárlatvezetése
… visual artist and winner of the 2023 TÓTalJOY Prize, has long been engaged in exploring the cultural, technological and ethical aspects of the ecological crisis. Her exhibition explores the lessons learned from past efforts to change the weather and climate. Through the ages, human communities have employed a variety of means in an attempt to positively influence weather-related processes. Magic, witchcraft and folk customs were relied on to protect against hail and drought. The new …
Nemzetközi találkozó és workshop az Attic Archívumra koncentráló kétéves kutatási projekt keretében
Artpool Art Research Centre is one of four archives participating in the international research project 'Curating the Digital Attic Archive: A Case Study for Open-Source Approaches to Artists' Archives', and will host a meeting of archivists from Scotland and Ireland in person and an online workshop with leading experts from Denmark, Germany, and Netherlands during 24-25 October 2024. …
Angela Lampe: The Cold Order: A Review of Exhibition Germany/1920s/ New Objectivity/August Sander - Sociological Aspects of the Interwar Years
In summer 2022, the Centre Pompidou devoted a major exhibition to the art and culture of the Neue Sachlichkeit (New Objectivity) in Germany, with the aim of re-reading the history of cultural production in the Weimar Republic, under the keyword “sachlich”, whose difficult translation into other languages points to the special nature of the concept. In addition to painting and photography, the project brought together architecture, design, film, theater, literature and …
Éva Forgács: Challenging National Art Histories
… raised and educated in Hungary, chooses to live in France, Germany, or the US, to which country’s culture does s/he belong? Does artistic formation weigh as much as the new context that allowed him/her to develop as an artist? Can his/her achievements be seen originating from their country, are they reflecting the values of the new one? Museums designate artists to the country the citizen of which they died. Thus, Kandinsky was French, born in Moscow. Moholy-Nagy was American, born at …