‘exhibitions’

… on the Social Museum in Budapest in particular. Through the representational policy of the exhibitions, the book unveils how body, illness, hygiene – and biopolitics are presented within the museum spaces of the turn of the century. It displays the history of an institution where the biological traits of the human race were translated into strategical instruments for exercising power, one which represented the care guidelines for the collective body of the population – guidelines …

… such intense, exciting and open debates as the 1980s. The anthology  Kiállítások és kritikák  [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for  Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of the decade, the volume delves into the art …

… such intense, exciting and open debates as the 1980s. The anthology Kiállítások és kritikák [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for  Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of the decade, the volume delves into the art …

… Musée National d’Art Moderne/ Centre Pompidou where she organized a large number of international exhibitions, including “Art and Nature. A century of biomorphism” (Foundation La Caixa, Spain, 2023-2025) Alice Neel, Un regard engagé (2022); Allemagne / Années 1920 / Nouvelle Objectivité / August Sander (with Florian Ebner 2022); Chagall, Lissitzky, Malévitch - the Russian Avant-Garde at Vitebsk 1918-1922 (Centre Pompidou, Jewish Museum New York, 2018); Paul Klee. L’ironie à l’œuvre (2016); …

… Jewish Artists of the Romanian Avant-garde 16.20–16.40 Judit Galácz, KEMKI, Budapest: Theatre Exhibitions as a Mirror of International Impregnation of Hungarian Emigré Artists: The International Theatre Exposition, New York, 1926 16.40–17.00 Csizmadia Krisztina, Hungarian National Gallery, Budapest: Gyula Zilzer in Paris (1924–1932) 17.00–17.30 Discussion + Closing Discussion