‘exhibitions’

… in Argentina and Latin America thanks to numerous academic studies and several landmark solo exhibitions, remains relatively unknown in Europe, with too few events dedicated to it. The new collection display at Artpool, an essential historical archive of Mail Art, aims to make visible and promote in Europe this marginal yet essential poet, artist, and publisher. The day after the opening, a roundtable discussion will explore, among other things, Vigo's European connections. …

… in Argentina and Latin America thanks to numerous academic studies and several landmark solo exhibitions, remains relatively unknown in Europe, with too few events dedicated to it. This collection display at Artpool, as an essential historical archive of Mail Art, aims to contribute to his recognition in Europe by giving visibility to this marginal yet essential poet, artist, and publisher.   Curated by Marie Boivent   The collection display can be viewed by …

… challenges of avante-garde research between the two world wars: Sára Bárdi (KO): „The Art of Exhibitions” between the two world wars: questions and possible approaches of an ephemeral genre Magdolna Gucsa (KO): Beyond aesthetics: racial policy arguments and transnational dynamics in the discourse on the “School of Paris” Judit Radák (ADK): "Constructive surrealist themes" on the border between East and West     On Friday, September 26, those who are interested can …

… on the Social Museum in Budapest in particular. Through the representational policy of the exhibitions, the book unveils how body, illness, hygiene, and biopolitics are presented within the museum spaces at the turn of the century. It displays the history of an institution where the biological traits of the human race were translated into strategic instruments for exercising power, one which represented the care guidelines for the collective body of the population – guidelines that …

… such intense, exciting and open debates as the 1980s. The anthology  Kiállítások és kritikák  [Exhibitions and Criticism], edited by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for  Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of the decade, the volume delves into the art …