‘history’

… research on forms of borderlands internationalism that have emerged in Eastern European history, responding to the region’s imperialisms and nationalisms. With a particular emphasis on the cultural dimensions of these forms of internationalism, he will ask how this framework can open new directions for art historical inquiry and offer insights into the transnational dynamics that shape cultural production in contested regions. The presentation will be followed by a discussion …

… by Júliusz Huth and Kristóf Nagy and published by the Central European Research Institute for  Art History (KEMKI), offers a comprehensive exploration of this era. Featuring over fifty essays, reflections and reviews originally published during the 1980s, alongside a new, comprehensive study on the art criticism of the decade, the volume delves into the art discourses of the era. The volume examines key artistic debates on postmodernism, new painting, socialism, and the art market, situating …

… of KEMKI publications, which is edited by Balázs Zoltán Tóth, is related to research on the history of photography conducted by KEMKI ADK. It contains extended and edited texts from the presentations given at the conference entitled Stratification of an Archive: Possible Approaches to the Oeuvre of Péter Korniss. The diversely themed essays in the volume provide new interpretations of attitudes that prevailed in Hungarian documentary photography and photojournalism in the …

Open call Endre Tót and the Central European Research Institute for Art History (KEMKI) established the TÓTalJOY prize for contemporary artists in 2021. The prize derives its name from Endre Tót’s conceptual program centred on the notion of joy, which was launched in the 1970s. His early joy pieces and the actions of the TÓTalJOY series are considered among the most important works representing the narrative of Eastern European conceptual art. The TÓTalJOY Prize …

… the authors of this new volume published by the Central European Research Institute for Art History (KEMKI), draw on the findings of new Hungarian and international research with respect to the period in order to present aspects of—and groups of works from—his oeuvre that are either already well known, or have been sidestepped or deliberately kept invisible. The scope of explored works ranges from tourism-oriented, commercial and political posters to public art, from monumental-scale …