‘lecture’

… and networks and lay behind the commercial and non-commercial circulation of artworks. Keynote lectures will be held by Ana Magalhães (São Paulo) and Nathalie Heinich (Paris). The list of presenters also includes researchers from KEMKI. Although art market studies as an academic field has become increasingly popular in the last decade, there has been little research that critically examines the actors, places, rules, and structures of this system. This workshop, facilitated by …

Lecture on Josef and Anni Albers by Nicholas Fox Weber, cultural historian, Bauhaus scholar and Executive Director of The Josef and Anni Albers Foundation Josef Albers, one of the most prominent representatives of geometric abstraction and one of the leading colour theorists, began his career as a teacher at the Bauhaus. After the school closed in 1933, he and his wife Anni Albers, a textile …

… in Contemporary Art 15.00 – 15.30 – Coffee break 15.30 – 16.30 Keynote lecture Edit András – Procrustean Bed or Freudian Couch. Which is the better fit for writing East-Central European Art History? Friday, October 13 9.00 – 10.00 – Keynote lecture Jérôme Bazin – How to exhibit socialist realism and (post-)modernism together? 10.00 – 10. 15 – Coffee break 10.15 – 12.15 Panel 3: Social art history and Marxism in …

… underpinning artistic practice. The project takes the form of five extended meetings of seminars, lectures, site visits and writing workshops. The seminars will be held in Prague, Budapest (Central European Research Institute for Art History - KEMKI), Berlin/Leipzig, New York and Giverny (France) between 2022 and 2024. KEMKI is the partner and venue for the Budapest seminar. The following three public events take place at KEMKI (1135 Budapest, Szabolcs street 33-35, OMRRK Campus, …

Lecture of Katja Praznik, Slovenian cultural researcher The recently published volume Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (Toronto: University of Toronto Press, 2021) by Katja Praznik, a Slovenian cultural researcher at the University at Buffalo’s Arts Management Program, opens up a new perspective on the study of Eastern European art in the 1980s. Praznik argues …