Infrastructures of Selling Modern and Contemporary Art in Socialism and Postsocialism We invite proposals for a forthcoming edited volume that critically examines the infrastructures of art markets in Central and Eastern Europe during and after the socialist era. This peer-reviewed volume aims to shed light on the diverse systems that enabled the production, distribution, and exchange of modern and contemporary art, not only through …
As part of the Fanzine Anatomy collection dislplay, Artpool is organizing a free of charge zine-making workshop with the creators of Zabella Zine. The event aims to offer a more personal, creative approach to the themes presented in the collection display, i.e. music, criticism of the system, feminism. During the course of the workshop, participants will not only receive theoretical knowledge but …
… of conference papers from KEMKI’s Resonances project is published in the latest issues of ARTMargins Print by MIT Press. The special issue includes articles by Emese Kürti, Cristian Nae, and Małgorzata Miśniakiewicz. Emese Kürti, “Minorities as Hubs of Cultural Transfer: The Bosch+Bosch Group” Małgorzata Miśniakiewicz, “Socialization of the Private? The Emergence of Polish Mail Art and the Ideas of Democratic Opposition” Cristian Nae, “Constellational …
… inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a genre. This intense period seems to have come to an end in the 2000s with the rise of the internet. Subcultural discourse has largely moved online and zines …
Digital selection from the Poetry Bureau (Andrzej Partum) and Artpool collections. "Artists are like seismographs foreseeing future tectonic movements. In the same decade, the 1970s, unusual institutions were established both in Budapest and Warsaw: Artpool by György Galántai and Júlia Klaniczay, and Andrzej Partum’s Poetry Bureau. It was clear to everyone that something extraordinary was happening. Even if only because any disobedience invited …