‘modernism’

… Avant-Gardes, 1910-1930 (The MIT Press, Boston, 2002). Her recent title, Malevich and Interwar Modernism: Russian Art and the International of the Square (Bloomsbury, London, 2022), examines the Russian and European interwar avant-garde.

… 11.20 – 11.40 Sára Bagdi – Gábor Dobó, Kassák Museum, Budapest: Mapping multiple modernisms: The question of emigration in the Lajos Kassák–Jolán Simon research project 11.40–12.10 Discussion 12.10–13.15 Lunch 13.15–13.40 Coffee break Session 2: Nation/State, Subversivity  13.40–14.00 Sára Bárdi, KEMKI, Budapest: State Representation of Hungary in Interwar Metropolises: Exhibition Design and the Foreign Trade Office 14.00–14.20 Bálint …

… in the Inter-War Years Blair Brooks: Kunst in Kalifornien: Heinz Berggruen and European Modernism in 1930s San Francisco Break (17:30–18:00) Evening Lecture Italian Art System and the Making of Art Museums in São Paulo in the Aftermath of World War II by Ana Magalhães (18:00–19:00) Friday, June 28, 9.30–15:45 Panel IV “Selling Outside of the Canon” (9:30–11:30)  Agata Ja kubowska : Women’s Art Travelling …

… Kunstuniversität Linz/Wien (IFK). Her book, published last year (2022), Malevich and Interwar Modernism: Russian Art and the International of the Square, opens up a new perspective in the research of avant-garde art by using previously unused sources.   Forgács explores the contradictions of avant-garde art between the two world wars: the problem of the artistic program that drew simultaneously on tradition and the scientific and industrial innovations of modernity, and the …

… – 10.00 – Keynote lecture Jérôme Bazin – How to exhibit socialist realism and (post-)modernism together? 10.00 – 10. 15 – Coffee break 10.15 – 12.15 Panel 3: Social art history and Marxism in a socialist and post-socialist context. Cristian Nae – Introduction: Marxism and Socialism: An Unavoidable Connection? Andrea Bátorova – Art history and its narratives in former Czechoslovakia before and after 1989 Jitka Šosová – Revisiting …