‘museum history’

… Social “Centres” and “Peripheries” through the Press. Date: 7–9 September 2022 Venue: Museum of Fine Arts – Central European Research Institute for Art History (KEMKI) – Artpool Art Research Center, Budapest and online (Zoom) Conference programme and abstracts are available here. Registration for offline and online participants is open until 15 July here.  The hybrid event is co-organized by the Museum of Fine Arts – Central European Research Institute for Art …

… interactive presentation was implemented in cooperation with Muzeum Sztuki Łodz , Museum of Fine Arts - Central European Research Institute for Art History - Artpool Art Research Center, and the Polish Institute in Budapest, in the frame of the Inspiring Culture (Kultura Inspirująca) program, co-financed by the  Ministry of Culture and National Heritage (Poland).

Conference on the Legacy of István Ferenczy The Museum of Fine Arts – Central European Research Institute for Art History Archive and Documentation Centre are organizing a one-day conference on István Ferenczy entitled Art Preserved in a Mirror Image.  The invited speakers will be analyzing one of the most important set of objects within the KEMKI ADK collection: the series of daguerreotypes created by Ádám Gola of István Ferenczy's works of …

… of Artpool and its concurrent relocation to the Central European Research Institute of Art History of the Museum of Fine Arts, Budapest. It aims to map the cultural-political-historical contexts of Artpool's activity by bringing together scholars and practitioners interested in transnational research on artist archives, progressive curatorial and museological practices, and the historiography of Cold War art scenes and networks. The conference takes Artpool’s 1979 concept of an “ …

… or marginalisation of specific artists and movements. Trading platforms and networks: Museums, galleries, auction houses, art fairs, collectives, and unconventional venues (e.g., hotels, apartments) shaping art circulation and valuation. New art forms: Non-traditional practices (e.g., performance and conceptual art) resisting conventional collecting and developing alternative modes of exchange. Social Settings: Class, gender, religion, and other network and community …