‘neo-avant-garde’

A thematic selection of papers from our regional collaborative research project, Resonances, which concluded in 2023, has been published in the online edition of ArtMargins. The articles by Hana Buddeus, Zsuzsa László and Alina Șerban featured in the issue Regional Resonances: In Search of the Transnational in Central Eastern European Art of the 1970s present an interconnected history of …

We are happy to announce that the latest issue of Sešit/Notebook for Art, Theory and Related Zones, the periodical of AVU Research Centre in Prague dedicated to the Resonances project just came out! It comprises articles by Katalin Cseh-Varga, Tomasz Załuski, Gabriela Świtek, Dagmar Svatošová, and Cristian Nae, which are based on the papers presented at the Resonances conferences as …

International Conference Organized by: ICMA – The Institute for Multidisciplinary Research in the Arts, UNAGE, Iasi, Romania. In collaboration with: Academy of Fine Arts, Prague, KEMKI-Central European Research Institute for Art History, Budapest and the University of Lodz. CONFERENCE PROGRAM Thursday, October 12 9.45 – 10.00 – Introduction 10.00 – 12.00 …

Resonances IV. conference Piotr Piotrowski Center for Research On East-Central European Art in Poznań organizes the forth event of the Resonances project. KEMKI's research project consists of four conferences and is realized in partnership with the Department of Art History at Comenius University in Bratislava, the Research Institute of the Academy of Fine Arts in Prague and the Piotr …

… were created at the enamelware factory in Bonyhád, which executed many public works of Hungarian neo-avant-garde artists (for example, the creators of the Pécs Workshop) at the turn of the 60s and 70s, and is still in operation today. The tapestries were made by a hybrid, both industrial and artisanal technology (tufting gun).