… the present: - Revisiting socialist art: state-supported institutions, exhibitions, and global networks. - Interconnectedness and mobility: artists' networks, circulation, transference, and exchange. - Social art history in a socialist context: Marxism, anti-politics and artistic labor. - Critical art history today: race, gender and decoloniality in Eastern Europe. - Curating and other forms of collective art historical engagement. If you are interested to participate in the …
… topics and can present arguments based of case studies or an overarching thesis: Actors and networks for transferring and trading art, such as auction houses, dealers, galleries, museums, art societies, artists’ networks or collectives, dealer and/or collector consortia, laymen; Locations and platforms for trading and transferring art, such as museums, freeports, hotels, apartments, fairs, and online platforms; State involvement in trading and transferring art, such as …
… for shorter or longer periods; and most enjoyed the help of personal, professional or political networks while abroad. In addition to analysing individual cases and oeuvres of forced or voluntary, and temporary or permanent artistic emigration, the conference will address how networks may have centred on traditional institutions of artist education, political movements, intellectual circles or actors generated by private (family, friends) social capital. The social relations of modern …
… for shorter or longer periods; and most enjoyed the help of personal, professional or political networks while abroad. In addition to analysing individual cases and oeuvres of forced or voluntary, and temporary or permanent artistic emigration, keynote speakers Éva Forgács, (Art Center College of Design, Pasadena; Moholy-Nagy University of Art and Design, Budapest) and Angela Lampe (Musée national d’art moderne – Centre Pompidou, Paris), as well as participants from six countries will …
… promotion or marginalisation of specific artists and movements. Trading platforms and networks: Museums, galleries, auction houses, art fairs, collectives, and unconventional venues (e.g., hotels, apartments) shaping art circulation and valuation. New art forms: Non-traditional practices (e.g., performance and conceptual art) resisting conventional collecting and developing alternative modes of exchange. Social Settings: Class, gender, religion, and other network and …