… of the Archive and the Bureau posed a lot of questions about forms of self-organization, network-building, maintaining international contacts, the shape of mutual relationships, methods of communication, the extent to which they interfered in reality, the willingness and capacity to enact social change. Some wrote manifestos. They considered expanding the possibilities of the language they used and the meanings of individual words. They attempted to create new alphabets. They created …
… for shorter or longer periods; and most enjoyed the help of personal, professional or political networks while abroad. In addition to analysing individual cases and oeuvres of forced or voluntary, and temporary or permanent artistic emigration, keynote speakers Éva Forgács, (Art Center College of Design, Pasadena; Moholy-Nagy University of Art and Design, Budapest) and Angela Lampe (Musée national d’art moderne – Centre Pompidou, Paris), as well as participants from six …
… from three continents, the three days of the workshop aim to reveal those institutions and networks and lay behind the commercial and non-commercial circulation of artworks. Keynote lectures will be held by Ana Magalhães (São Paulo) and Nathalie Heinich (Paris). The list of presenters also includes researchers from KEMKI. Although art market studies as an academic field has become increasingly popular in the last decade, there has been little research that critically examines …
… for shorter or longer periods; and most enjoyed the help of personal, professional or political networks while abroad. In addition to analysing individual cases and oeuvres of forced or voluntary, and temporary or permanent artistic emigration, the conference will address how networks may have centred on traditional institutions of artist education, political movements, intellectual circles or actors generated by private (family, friends) social capital. The social relations of modern …
… topics and can present arguments based of case studies or an overarching thesis: Actors and networks for transferring and trading art, such as auction houses, dealers, galleries, museums, art societies, artists’ networks or collectives, dealer and/or collector consortia, laymen; Locations and platforms for trading and transferring art, such as museums, freeports, hotels, apartments, fairs, and online platforms; State involvement in trading and transferring art, such as …