‘social history’

… turning into community educational spaces for the general public as well. Likewise, the social and public health museums, emerging at the turn of the century, were not simply aiming at being the latest public spaces, displaying the hidden treasures of the palaces, but rather wished to share a different kind of knowledge connected to the present. All this lead to the appearance of the body, living conditions and problems of the worker; museums included the lower classes in their …

… “Minorities as Hubs of Cultural Transfer: The Bosch+Bosch Group” Małgorzata Miśniakiewicz, “Socialization of the Private? The Emergence of Polish Mail Art and the Ideas of Democratic Opposition” Cristian Nae, “Constellational Modernisms: ‘Socialist Humanism’ and ‘Contextual Art’ in Ion Bitzan and Wanda Mihuleac’s Graphic Art of the 1970s” The print articles constitute the second part of the special issue published by ArtMargins Online entitled “Regional Resonances. …

… around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a genre. In our display we present publications from 1986 to 2003 selected from the rich fanzine collection of the Artpool Art Research Center. The two themes of the selected publications—music (related to punk and other alternative …

The Central European Research Institute for Art History (KEMKI) warmly invites all interested parties to the TÓTalJOY Award ceremony, which will take place on June 24, 2025. Endre Tót and the Central European Research Institute for Art History (KEMKI) established the TÓTalJOY prize for contemporary artists in 2021. The prize derives its name from Endre Tót’s conceptual program centred on the notion of joy, which was launched in the 1970s. …

… around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a genre. In our display we present publications from 1986 to 2003 selected from the rich fanzine collection of the Artpool Art Research Center. The two themes of the selected publications—music (related to punk and other alternative …