‘the 80s’
Válság vagy virágzás? Beszélgetések az 1980-as évek művészetéről 2.
The 1980s as Gesamtkunstwerk What was the 1980s in Hungarian art? Was it the democratization of the art system or the beginning of its market transformation? Was it the decade of when avant-garde died, or when it was institutionalized? Was it the heyday of the underground or of painting? The 1980s are both far away and close to us: fewer and fewer key players are active, but despite the …
KEMKI-s részvétel a Látkép konferencián
The Látkép Art History Festival, organized by the HUN-REN Research Centre for the Humanities, will take place between September 25 and 27, 2025. KEMKI will be represented at the academic conference by the Archive and Documentation Centre and the Research Department. On Thursday, September 25, we will give three presentations within the section exploring the methodological challenges of …
Fanzin-anatómia finisszázs
concert and video interview marathon On the final day of the collection display, all video interviews in connection with the Fanzine Anatomy will be screened in their entirety. What makes the video interview marathon special is that we will be showing two films – made by Mihály Rácz and Tamás Rupaszov – that we have never shared publicly before. Interviewees: Judit Acsády, sociologist, activist, editor of …
Kurátori tárlatvezetés a Fanzin Anatómia gyűjteményi bemutatón
The next event of „Fanzine Anatomy – Alternative Hungarian Publications on Music and Politics from the Artpool Collection” will take place on July 2nd at 5 pm. From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation …
Kurátori tárlatvezetés a Fanzin Anatómia gyűjteményi bemutatón
Alternative Hungarian Publications on Music and Politics from the Artpool Collection From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the …