‘the 80s’
KEMKI-s részvétel a Látkép konferencián
The Látkép Art History Festival, organized by the HUN-REN Research Centre for the Humanities, will take place between September 25 and 27, 2025. KEMKI will be represented at the academic conference by the Archive and Documentation Centre and the Research Department. On Thursday, September 25, we will give three presentations within the section exploring the methodological challenges of …
Fanzin-anatómia finisszázs
concert and video interview marathon On the final day of the collection display, all video interviews in connection with the Fanzine Anatomy will be screened in their entirety. What makes the video interview marathon special is that we will be showing two films – made by Mihály Rácz and Tamás Rupaszov – that we have never shared publicly before. Interviewees: Judit Acsády, sociologist, activist, editor of …
Kurátori tárlatvezetés a Fanzin Anatómia gyűjteményi bemutatón
The next event of „Fanzine Anatomy – Alternative Hungarian Publications on Music and Politics from the Artpool Collection” will take place on July 2nd at 5 pm. From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation …
Kurátori tárlatvezetés a Fanzin Anatómia gyűjteményi bemutatón
Alternative Hungarian Publications on Music and Politics from the Artpool Collection From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the …
Fanzin-anatómia – zenei és politikai témájú magyar alternatív kiadványok az Artpool gyűjteményéből
From the second half of the 1980s alternative self-published and technically inexpensive publications emerged that (unlike samizdat) were themed around (and for) a particular subculture, scene or fan community. In the 1990s, liberation of social organizing, together with the growing availability of photocopying and Western models, created the ideal conditions for the flourishing of fanzines as a …