‘open lecture’

… principle, as an “exhibition within an exhibition”. Together, these two perspectives opened up a broad panorama of German art, focusing in particular on the years 1925–1929, when Germany enjoyed a degree of economic stability. An aim was to highlight the dialectic between, on the one hand, a fascination with the achievements of the modern age (technological progress, standardization, etc.), and, on the other, a critique of cold, alienating functionalization. For the Hungarian …